fight, zatoichi, fight

Released in 1964, « Fight, Zatoichi, Fight » is the 8th movie of the Zatoichi series. On the way, the bearers stop for a woman who has collapsed in the road with her infant. View production, box office, & company info. On the road, he is passed by the blind man's pilgrimage, but continues on his own way. Fight, Zatoichi, Fight placed 20th on my list of The 26 Best Films I Saw For the First Time in 2018. He gains the reluctant help of a young pick pocket and together they travel to find the baby’s father. When Zatoichi witnesses the murder of a young mother he promises to deliver the baby to the father. Fight, Zatoichi, Fight. Meanwhile a long lost love of Zatoichi's returns to his life. ‎Mira tráileres, lee reseñas de críticos y otros usuarios y compra Fight, Zatoichi, Fight, dirigida por Kenji Misumi, por $9.99. Blind swordsman/masseuse Zatoichi befriends a young woman returning home with her baby. Zatoichi is mentored by the blind leader of a secret organization as h... Zatoichi on the Road. He makes out the five of them and accuses them of killing the woman. During the night, Ichi is being watched. The woman, Oko, after seeing how much money Ichi is carrying, offers to come with him and watch the baby. In the nearby city, they read the travel documents and learn that the woman, Otoyo, was traveling back home to meet her husband, Unosuke, a silkworm cocoon broker, in Miyagi Village. On his way, Zatoichi teams up with a kleptomaniac prostitute who helps him nurse the child. Because Ichi feels responsible for the woman's death, he volunteers to take the baby to Unosuke, and express his regrets. She seems to have paid off the debt and was travelling back to her husband with the baby boy. It lacks the choreography, intensity and seriousness that gave the previous entries their very own identity.In the end, this film is a quite unusual one. The leader also gives Zatoichi a lock of the dead woman's hair. Use the HTML below. Fight, Zatoichi, Fight That starts with some killers from the Monju clan looking for Zatoichi. The blind masseur decides to take the baby of the deceased mother to its father who is living in an isolated village about sixty-five miles away. Fight, Zatoichi, Fight is a 1964 Japanese chambara film directed by Kenji Misumi and starring Shintaro Katsu as the blind masseur Zatoichi. Oko also finds Ichi and notes he is still holding the baby. While he is letting them pummel him a bit, one of the watching assassins throws Ichi's sword away from where it had dropped, and states to the wrestlers that he has a prior claim. During his streak, the game boss offers some one-on-one gaming. Follow. Ichi raises some money gambling, hoping to buy some softer diapers than the ones he's been scavenging from scarecrows and flags along the way. (A quick caveat: although this is the first Zatoichi film I’ve given full marks, I would, with hindsight, award the same to the first movie as well.) He tells her that Unosuke leaving his wife behind as collateral was his way of getting rid of her. When gangsters mistake her for Zatoichi and kill her, Zatoichi determines to escort the baby to its father. Promising her that he will hand over her baby to its father, the blind masseur embarks on an adventure both sentimental and beset by perilous action. Fight Zatoichi Fight was the eighth film in the franchise. Now indebted to the family, he works to protect their ferry business from local thugs. Fight, Zatoichi, Fight While on the road, Zatoichi befriends a young mother right before she is savagely murdered. Ichi goes on his way. Directed by Kenji Misumi, who helmed the first Zatoichi film, FIGHT, ZATOICHI, FIGHT is beautifully shot, with Misumi taking advantage not only of the widescreen format but also the gorgeous natural scenery of Japan. Fight, Zatoichi, Fight is the eighth entry in the franchise and one of the most unusual movies in the series. Lone Wolf and Cub: Baby Cart at the River Styx, Lone Wolf and Cub: Baby Cart in the Land of Demons, https://en.wikipedia.org/w/index.php?title=Fight,_Zatoichi,_Fight&oldid=1007808355, Articles containing Japanese-language text, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 February 2021, at 01:19. ZATOICHI #8 Directed by Kenji Misumi • 1964 • Japan. The boss's men follow and Ichi dispatches them while shushing them so the baby can continue sleeping. Ichi manages to make amends using the child. That starts with some killers from the Monju clan looking for Zatoichi. Outside, Waheiji waits, hiding. Fight, Zatoichi, Fight (座頭市血笑旅, Zatōichi kesshō-tabi) is a 1964 Japanese chambara film directed by Kenji Misumi and starring Shintaro Katsu as the blind masseur Zatoichi. Was this review helpful to you? Along the way, Zatoichi meets a traveling prostitute, Ko, who follows Zatoichi because he is lucky with gambling. To clear his name he must find and defeat the real villain. Zatoichi, having been honor bound to protect the man and his family, must now run against the law. The boss tries to rig the game, but Ichi catches him, evening the odds back up and winning a substantial amount. The four remaining men from the Monju clan survive and retreat. At Unosuke's, Waheiji talks to him about Ichi, saying he knows his weakness, and asking for help in exchange for Unosake making a name for himself. The assassins note his departure, and follow to catch him once his guard is down. 1 of 2 people found this review helpful. (1964). After some discussion he agrees to hire her. The assassins see him enter, and head up the road to ambush him. One of the blind men brings Ichi out from his hiding place in the building, and they laugh at playing a prank on sighted men. “Fight, Zatoichi, Fight” has to be the most misleading title in the series so far. A yakuza gang targets the blind masseur Zatoichi after he defeats their group in a wrestling match. Fight, Zatoichi, Fight. First there’s some comedy. Keep track of everything you watch; tell your friends. First there’s some comedy. Fight, Zatoichi, Fight Synopsis. Men with tiki torches encircle Ichi, the sound of fire whooshing through the air. Yes, there are the fight scenes that we know and have grown to expect but they are sporadic. I'm glad Ichi is back to his usual self after the baffling last movie, but the squirt is an ungrateful fucking … Oko is happy; now she and Ichi can raise the child together. As if that weren't enough, Zatoichi must deal with an unpleasant surprise when he finally meets the baby's father.The movie with the misleading title stands out for three reasons. Ichi returns to find his companions have run off in fear. The village leader asks two villagers to accompany Ichi on the 60+ mile trip. Promising her that he will hand over her baby to its father, the blind masseur embarks on an adventure both … The next night, Ichi hires a woman of the evening to watch the baby while he gets some sleep. Reusing the Zatoichi and cub plot from the much superior Fight, Zatoichi, Fight isn't the problem, it's that this kid is irritating and poorly preformed. When gangsters mistake her for Zatoichi and kill her, Zatoichi determines to escort the baby to its father. The next day, a woman thief, tries to use Ichi as cover from a victim. Secondly, the movie includes a lot of slapstick humor with Zatoichi stealing clothes on a scarecrow to use them as diapers, with the infant child accidentally peeing on two angry sumo ringers and with a group of elderly blind people who fool the group of samurai that are chasing Zatoichi in hilarious manners. Be marrying the daughter of a young woman returning home with her baby the murder of a reluctant criminal this! 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