eyeless in gaza

Still the music is certainly not dull or gloomy, but spirited and infectious. Elizabeth S.: banjo/voice. Dark Holler have also re-issued Martyn Bates’ Imagination Feels Like Poison album on the Hand/Eye label. Eyeless In Gaza just released Butterfly Attitude – a “sister album” to Everyone Feels Like a Stranger on the Downwards label (distributed by Veto) entitled Butterfly Attitude containing 5 new pieces on 12” vinyl (free Cd accompanies intial quatities, which contains 7 new pieces). ), Eyeless In Gaza autobiography (Updated February 14th 2005). The album can be pre-ordered right now from A-Scale by sending an e-mail to ( ) with your name, country and what you want to order, then we will get back to you with payment instructions. The music itself, however, wanted to do “otherwise”, and the original remit has long since outgrown its forlornly designated constraints. There is a burst of activities from Eyeless In Gaza these days and they again wish to reach out to people more than ever. Send us an e-mail for payment information: , Track-list: 1 Wildcat Fights (regular shorter version)/2 Shorepoem (new Eyeless version)/3 First Blue Distance/4 The Keep/5 The 3-D Picture/6 Priests/7 Reedsong/8 Staring/9 To Cry Mercy/10 Summer Salt/11 Here, Friend of Mine/12 Brilliant Blue/13 Long Calling Summer. Here, in contrast, you find someone who plays and sings as if no one has ever done any singing accompanied only by his own guitar playing before. As far as I am aware, the occurence of a non secular concert event has never been permitted before at the Abbey — so this quite an oportunity, something unique. Martyn Bates offers the following commentary on this huge set of recordings. Now, finally, I feel it should be possible to understand why Eyeless In Gaza was so popular and influential during the early 80’s. Cherry Red releases Picture the Day: A Career Retrospective 1981-2016. Not only this, but B’Eirth of In Gowan Ring played In Gowan Ring songs at these events. 03:47 12. Read more about the album and you can also order it directly at NDN Records for $15 plus postage (see their order info page). ❖ Completed August 2016 recorded at A-Scale studios Warwickshire, the Bates/Becker produced Sun Blues sees Eyeless In Gaza offering a 2016 styled distant cousin to 1982’s classic Pale Hands I Loved So Well. Welcome Now (1985); 14. Maelstrom 3. Peter Becker: bass/drums/e-guitars/voice/percussions/slide-guitar/piano/wasp/drum-machine/tapes/all engineering & recording. My own initial reaction to Everyone Feels Like a Stranger – not as negative in mood as the title might suggest. I paid a visit to the retinal specialist this afternoon for a periodic injection to my left eye to treat my condition (wet macular degeneration). Photo: Declan Cusack. Elizabeth S.: B-vox, dulcimer, tambourine, claves, banjo on The Rhyme of Miracles. – , Ambivalent Scale Records – Catalogue, studio, contact address, direct orders from A-Scale. They sold a very limited Cdr Ep only at these concerts with exclusive material from both artists. You can now find an alphabetical listing of all published songs by Eyeless In Gaza (including a few pieces were they have made important contributions). As if we ever were ‘dark’! In our opinion, he is also greatly underrated as a songwriter. Available now directly from cat|sun. The Observer Music Monthly article by Simon Armitage (August 17th 2008). Today, as I write, it’s the songwriting that I’m personally most proud of – but I’d never deny this kind of joyous invention. This was reassuring and hopes are up for more live gigs to follow. Start Where You Are (Martyn Bates) 6. We will then send you a Paypal “invoice” (no need for a Paypal account). Cost: £10 + shipping: UK £1, Europe £2, USA/Japan/Australia £3. Another review of Unsung is found at Mix-Grill published by Dimitris Antonopoulos. Interviewing Israeli and Palestinian combatants, administrators and civilians, along with analysts, journalists and aid agency officials on the ground, Eyeless in Gaza sets out to find out how this narrative arose… and arrives at a very troubling conclusion. Eyeless In Gaza present one of the Weird Tales of Winter on February 2nd-3rd (Updated February 4th 2011). A-Scale has a limited number of signed copies available for sale at £11 (incl. Mastered by Denis Blackham at Skye Mastering. Struck Like Jacob Marley (1986); 6. The release will be available via Ambivalent Scale. ❖ With the core of the album recorded ‘live’ in the studio Mania Sour is overall an electric guitar n’ drums fuelled album, and it’s worth noting that, in terms of it’s subject matter the album is definitely not the jeremiad you might think were you to judge by the title alone. Plus the fact that in mid-84 my father died unexpectedly. Find the perfect Eyeless In Gaza stock photos and editorial news pictures from Getty Images. No Noise – The Very Best of Eyeless In Gaza was released on July 18th by Cherry Red Records records. From initial listenings to the album, one happily fails to find anything reminiscent of the new breed of singer-songwriters that tend to sound so same-ish, even when they try to sound “alternative”, “sensuous” and “independent” suggesting the listener would be convinced that it (albeit artificially) “sounds so right”. Eyeless In Gaza are presenting The Shadow by Hans Christian Andersen on the night of Februrary the 2nd (more exactly on February 3rd at 01:00). –Jerry. The ‘mania’ here is that of time passing and experience, of appetite and urge, of perseverance/persistence & determination – a hard-won sense of righteousness at that which must not be allowed to sour. I’ll Give You My Heart, I’ll Give You My Heart – The Cherry Red Singles Collection 1978-1983 (crcdbox4) contains 185 tracks from a long line of Cherry Red Records artists, including Eyeless In Gaza. Prices/formats (some): iTunes $27.99/€24.99/£24.99 (aac 256 kbit); Amazon $26.97/€26.97/£23.97 (mp3 256 kbit vbr); Cdbaby $25 (mp3 200 kbit vbr lame, mp3 320 kbit, flac (lossless)). Anne Clark & Eyeless In Gaza Live in London on Saturday 12th, April (February 8th 2014). Eyeless in Gaza (TV Series 1971– ) - IMDb. FULL CAST AND CREW | TRIVIA | USER REVIEWS | IMDbPro | MORE. Morning Singing, 5. Martyn Bates: e-guitars/voices/clarinet/kybds. The Day Began, B1. Track-list: Mock Sun (instrumental) (1994)/Reminding Pictures (1994)/Every Which Way (1981)/Mixed Choir (instrumental) (2005)/One by One (1982)/Before December (instrumental) (1980)/Fever Pitch and Bite (1981)/History Book (1995)/John of Patmos (1980)/See Red (1981)/Rose Petal Knot (1980)/Guide this Night (1995)/The Lovely Wanton (2001)/To Steven (instrumental) (1984)/Sun-Like-Gold (1984)/To Elizabeth S. (instrumental) (1984)/At Arms Length (1982)/Lights of April (1982)/To Cry Mercy (1995)/She Moves Thru The Fair (1985)/Falling Leaf -Fading Flower: Goodbye to Summer (1982). The music often sounds stern and sometimes deeply melancholic, with exciting and successful soundscapes. Eyeless in Gaza is genuinely spiritual novel, a quest to understand goodness in a world that often seems insane. I think it will be a great one! Martyn Bates is working on an autobiography of Eyeless In Gaza. This album is very coherent and it shows its merits best when listened to from start to finish! Eyeless In Gaza. This album might have been the most popular album by Eyeless In Gaza since they resumed activities around 1992 after some solo ventures from 1987 up to then. Sun Blues album would seem to be a groundbreaking distillation of everything that Bates & Becker have ever produced during their 36 year lifespan. The physical (pre-)release was out on December 9th, 2014. Eyeless in Gaza. You could listen to excerpts at the Beta-lactam pages – see the ordering links above! Eyeless In Gaza. The new Eyeless In Gaza album – Ink Horn/One Star – is out via A-Scale now. so for Blue Distance, which were improved upon from the source of a degraded release on Transience Blues compilation Cd). Eyeless In Gaza are an English musical duo of Martyn Bates and Peter Becker, based in Nuneaton, Warwickshire. Their set included some of their old classics freshly approached and some new songs, some of which you can now hear on YouTube (thanks to Pedro García): No Noise; Still Air; Leaves are Dancing, Sweet Life Longer; Fracture Track; Inky Blue Sky and In the Desolate Hills. The tiny chapel could probably cram in 80 people and was in the middle of a remote field amongst the grassy mounds and humps of the ruins of an abbey – quite an evocative setting.

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